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Updated: 09/23/2019 03:46P
This year’s Cannes jury achieved something near impossible last week: pleasing almost everyone – apart, maybe, from bookies’ favourite and longtime bridesmaid Pedro Almodvar – with their choice of Palme d’Or winner. No one at the festival had a word to say against Bong Joon-ho’s darkly funny, socially conscious thriller Parasite, and the win was viewed as a very belated honour for South Korean film as a whole, which has long held a reputation for vibrancy and daring, but has never produced a Palme champ before. (Others considered it balm on the wound of last year’s surprise snub, when Lee ...
Updated: 06/03/2019 03:00A